Monday, August 8, 2011

Left Brain Interruptus

"Pat you head and rub your tummy!" said my little girl to me.

An instant memory of my playground days flashed to mind. I used to be brilliant at this feat. Somehow I doubted I'd still be able to do it. I mean, it's been more years than I care to admit since I'd attempted to pat my head and rub my tummy at the same time.

But if it entertained her, I'd give it a go. To my amazement, it was like no time had passed at all. With easy dexterity I patted and rubbed, then reversed direction and, just to check, I swapped hands and got the same smooth a result. 

Needless to say, Meg was very impressed and I was so shocked I had an epiphany!

For years I've been bemoaning the fact that I just can't shut up my internal editor (what I call left-brain interruptus) and spend all of my writing hours fighting and resisting the need to make sure each word is perfect, every sentence constructed clearly, and all the other editorial tasks that ensures a great read, which, let me tell you, slows output right down. I'm not talking about the editing, simply the resistance that grinds creativity to a halt. 

It was only while patting and rubbing that something dawned on me. To achieve this simple childhood exercise you must be able to use both sides of your brain simultaneously. So while I'm completely right brained, I am super-capable of multitasking--to the point where I get compliments for it. In case you don't realise, you use both sides of your bran when multitasking.

Anyway, back to the point. 

The point I'm making is, it's possible to write and edit and still write fast IF you embrace left-brain interruptus as you natural way of writing. I've always had to write and edit before I can move on--you can see where the trouble came in if all I did was fight myself. I was convinced I had to write an entire first draft before starting all over again with a second draft and on and on until I had my story polished to a high sheen--well that's what the experts would have us believe, isn't it?

But what if we go crazy and write and edit as we go? We may not finish a first draft in six weeks, but when we do finish the MS in two to three months it will be completely finished and polished! To my way of thinking, we can have two authors: Author A and Author B. Author A writes at a cracking pace and finishes an entire novel in no time at all. But she has to start all over again and write another draft and another and another and... Then we have Author B who writes--to her mind--at an excruciatingly slow pace and finishes a novel in three months. But once she types The End she's finished. Perhaps she'll go back and tinker-- because that's what she does--but her novel is finished.

By this time Author A is also finished.

Both authors took the same length of time to write their books, they just took different routes to get there. So whether we write one draft after another, or accept our super ability to polish as you go, chances are two authors starting from the same point, but travelling in opposite directions to an end point, will finish at the same time.

This is my theory, anyway. <*grin*> 

Want to know what I learned while trying to entertain my daughter? I learned not to fight myself ever again--to embrace my natural ability to multitask and allow myself to write the way my mind works! I bet this alone will increase my output. 

Do you suffer from left brain interruptus?

Perhaps you, too, might consider embracing your gift and using it to excel. At the very least, your writing day will be a LOT less stressed!


Friday, August 5, 2011

Free Read Romance Story

Hello-hello!

It's the middle of the year and I suddenly realized it's been ages since I last gave away a story. I LOVE-LOVE free reads, I'm sure you do too. Free anything and I'm there. My two eldest kids have made it a joke. One will say to the other, "What's mum's favourite price?" And they'd croon in unison "Freeeeeee." Yes, it's very hilarious...at my expense. But nonetheless true!

To my way of thinking, EVERYBODY likes *free*. So I've beavered away this week and came up with a lovely romance story for you. It's a best friend story about finally taking that step. Sometimes you just have to be ditched at the altar in order to discover that the person who's been there for you through it all... wants you forever!

I've also put up my first free read story. You can download both of these stories by clicking the link to my Free Reads page just above my blog posts.

Please look out for other stories. I hope to add to my collection of Free Reads in the coming months.

Thanks for stopping by!

 

Saturday, July 30, 2011

How Fast Do You Write?

It's been a while!

What have I been up to? I hear you ask. Apart from my screenwriting course, which was just a fab learning process, I've been doing a lot of learning and trying to nail down the illusive skill of writing a successful category romance.

But most recently I've been trying to figure out how some authors manage to churn out words at the speed of light while others--like myself--take a good three months or longer to finish a 50,000 word book. I've heard authors say write a bad first draft then re-write. What I'm curious to discover is whether authors who write 20 pages in two hours do that. Do they write total nonsense then re-write until it makes sense?

See, I don't get that. Surely it makes more sense to stop and think about where your story is going and get it right the first time rather than toss out any old pants then try to fix it. Another thing I'm wondering is: is it possible to write a word a second?

I ask because I've become fixated on this subject, if only because it's another handy stick to beat myself with. But if you look at this logically--1 manuscript page is somewhere around 250 words. Therefore 20 pages would total approximately 5000 words. Okay so, 5000 words written in 120 minutes would give a writing speed of  about 42 words per min. which would require a typing speed of around 0.7 word per second continuously!

WOW!! Some people can think super-fast!

I'm no typing slouch but there is no way I can think that fast to come up with dialogue, sexual tension, conflict, back story, portray traits, characterization, motivation, create sensual emotive love scenes, emotion, quirks, scars, weaknesses, strengths, etc, etc in continuous seconds without stopping to test whether these story moments make any sense or are even remotely entertaining.

To do that, you'd have to write without thinking. I'd love that gift, I can tell you! Or do these authors spend hours planning and prewriting each scene before they transfer words to keyboard? It takes me a whole day to write 1000 words, so do forgive me if I'm a little sceptical about such claims.

I'm not saying it isn't possible to write a word and a half a second, I'm simply saying....hmmm...I might need to train as a Stenographer...

How fast do you write? And can you tell me how? I've made it my goal to increase my output. I'd love you to share your tricks with me.



Saturday, June 11, 2011

Divorce Etiquette Is Now On Kindle

I'm please to share the news that Divorce Etiquette is now on Amazon Kindle!

Divorce Etiquette
by Monique DeVere

A Contemporary Romance (Reunion/Second Chance Romance) available from The Wild Rose Press and several other online book stores including Amazon.com and Amazon.co.uk.

Blurb:

They're breaking every rule of divorce etiquette!

Sometimes, a whirlwind marriage doesn’t lead to happily-ever-after…Nor does a quickie divorce.

Turnaround expert Andrew Boston can turn any failing business into a huge success, but he couldn’t fix his marriage. A family tragedy left Andrew unable to commit to fatherhood, but he can’t let Michelle walk away. He’s determined to win her back and prove a relationship between the two of them can work perfectly well without bringing children into the equation…

Corporate lawyer Michelle Boston divorced Andrew two and a half years ago—and for good reason. She learnt a whirlwind marriage did not mean happily-ever-after. Nor, unfortunately, did a quickie divorce. 

Especially when neither Andrew nor Michelle can stick to the first rule of divorce etiquette: no kissing!

Excerpt:

He hunched down next to her chair, leaned in a couple of inches to add intimacy to his deep rumbling tone. "I have a few rules of my own."

Michelle gulped. This was going to be harder than she thought. "You're breaking the second rule."

"Am I?" He was so close her stomach did a little flip. She wanted to lose herself in his beautiful smoky gaze. "You made five rules. I want five too."

"You do?" What restrictions could he possibly put on her? She was completely innocent in this. If he would just keep his distance, she could move on, and everything would be fine.

"Rule six," he began, his gaze roaming over her face. "Stop looking at me as if you'd like to lick ice cream right off me."

Michelle gasped under the shock of his evocative words. A memory of her doing just that hit her low in her belly.

Before she could recover, he continued, "Rule seven. No wearing sexy little hipsters that flash your underwear when you bend over."

That did it. Her gasp turned to a splutter, her face suffused with heat that had nothing to do with the warm sunshine.

"Rule eight," he continued, as though she wasn't about to suffocate under the weight of embarrassment. "Don't wear your hair down. It makes me want to bury my hands in it.

"Rule nine. No wearing little black dresses--they make me want to see you naked."

His cultured voice reverberated through her until every nerve in her body jangled, her bones melted, and a shuddering sigh escaped her.

"And ten, no more crying." He didn't even seem to notice she'd practically dissolved at his feet. "It makes your mouth pouty and far too kissable." He stood and took the Maplewood chair opposite Michelle's, his knee brushing hers as he sat down.

Obviously, rule five meant nothing to him.

View Trailer on YouTube or on my Author page @ Amazon.co.uk or Amazon.com

Thursday, June 2, 2011

Pull Up A Chair With Mon: Characterize Your Characters



Let's Talk About: Characterizing Your Characters


I'm not a very faithful blogger, am I? But I hope when I do get time to blog you find the content worthwhile.

Today I'd like to give you a quick tip on characterization. I know-I know, everybody and his dog talks about characterization, but I'm hoping you find a gem in here somewhere.

Don't worry; I'm not going to suggest you spend hours interviewing your characters so you can "get to know them". I value my time—as I’m sure you do too—and can't stand anything that waste it. This is why I've never been able to bring myself to interview my characters. By the time I've filled out one of those arduous character profiles, I've lost the will to write! 

The way I see it, if I have a scene where I need to know my character’s favourite ice cream, or most embarrassing experience, she or he will tell me when I need the info. I'm happy to write on a need-to-know basis. As far as I'm concerned, any information I have on my character that isn't necessary for the reader to know can only mean I've got lots of padding available should I get lazy and decide to bore my reader with nonsense. 

But I hasten to add: this is my opinion!

I take my hat off to anyone who enjoys interviewing their characters and filling out 100 Qs questionnaires before putting finger to keyboard. If this is your way and you're happy with it...(I tip my hat).

However, if you are a busy author and recognize the need for effective writing tools, stick with me, I'll tell you how I characterize my characters.

Have you ever written a scene and your CPs point out that your POV character is behaving out of character? The reason is most likely you didn't take the time to give your character traits. Yes, character traits are an amazing way to ensure your character always stays in character.

Character traits are characteristics, which makes your character special. Things like habits, likes and dislikes, values, manners, personality, behaviour. For example a hero who is: daring, unpredictable, creative and a terrible timekeeper. Or a heroine who is responsible, work-orientated, guarded and generous.

I believe you only need a few things in your character profile to bring your character to life: 

Ø  Give your main characters three or four basic character traits. Having one subtext trait as well would add another dimension to your character.

Ø  Ensure your character has a GMC (Goal, Motivation, Conflict).

Ø  Make your character interesting by giving them a paradox to their personality. (ie the supermodel who is a gourmet cook. The tough footballer who has a marine biology degree). Paradoxes create fascinating characters that will continually surprise your readers. Give your characters a paradox if you want your characters to be unique and memorable.

Ø  Does your character have a secret he or she is hiding? Secrets can add depth to your story as well as your character and provide opportunities for subtext, suspense, and surprise.

Ø Give your character a flaw—nobody is perfect! Flaws make characters more human.

Ø  Is there something special about your character? This is the one thing that completely separates your character from every other character—even those with similar personalities.

Keep your characters in character by making sure you have them act and react in relation to their traits.

That's my handy tip for today.

Join me again soon when I'll be talking about subtext and subtext traits.

Character Profile Recap:

-GMC
-Three or four traits
-Character Paradox
-Secret
-Flaw
-What makes your character special

If this helped you, or you would like to share your own method for characterizing your characters, please leave a comment.

Thanks so much for stopping by.